Role: Research and Development, Sound Designer
Phelan Kane is a London based music producer, recording and mix engineer musician, mastering engineer and music programmer. For almost twenty years he has been active in the music industry producing, programming, engineering, editing, mixing, performing and teaching.
His credits and clients include sources as diverse as Placebo, Radiohead, Fad Gadget, Moby, Depeche Mode, Dido, Snow Patrol, Babyshambles, Elastica, Phil Vinall, Fun-da-mental, Hut, Witness, X-FM, The Drum, V2, The Duke Spirit, One Little Indian, Sasha Skarbeck, Toyota, Aziz Ibrahim, Arista, Yamaha, Ed O’Brien, Alabama 3, Polydor, Lukas Burton, The British Film Institute, Laurence Colbert, Segs Jennings, Amanda Ghost, Island, Samantha Mumba, PIAS, Steve Dub, dEUS, Channel 4, Titan, Phil Selway, Fangoria, Mute, Zoe, Das Pop, Beggars Banquet, Boy George, Lalalover, Sony BMG, Universal, EMI and Warner Bros.
In 2001 Kane worked closely with pioneering synth Mute recording artist, Fad Gadget a.k.a. Frank Tovey, playing an instrumental part in Fad Gadget’s support on Depeche Mode’s 2001 ‘Exciter’ tour and as part of the Fad Gadget band, performing at Euro Rock in Benelux and Wembley Arena.
He is currently running electronic label Meta Junction Recordings. Meta Junction is a community of London-based electronic musicians and progressive experimentalists working with classic hardware and innovative software. The community’s output mixes a wide range of styles uninhibited by arbitrary labeling, marrying digital communication and new technology with analogue music production methods. Meta nurtures innovation and the characters of Meta Junction are a broad pallet – an inclusive mix of music makers and talents to enhance the electronic spectrum.
The Meta sound was born from an obsession with vintage analogue Moog, ARP & Oberheim synthesizers, modular systems, classic effects units, dub production techniques and a big arse Calrec mixing desk that takes the output way out of the box – with a nod to the classic sounds of the electronic trail blazers and confirmation that the computer is only one part of the production mix.
In 2006 he completed a Master’s degree in Audio Technology from the London College of Music. He became one of the first wave of Ableton Certified Trainers in 2008 and in 2016 Kane completed an MSc in Sound & Music Computing at the world leading Center for Digital Music at Queen Mary, University of London. He is an active member of the UK’s Music Producers Guild, holds a PG Cert in Learning & Teaching, is an Affiliate of the Institute for Learning, a Fellow of the Higher Education Academy and a member of the Audio Engineering Society. He owns a very (un)healthy collection of samples, plugs and DAW toys and possesses an obsession with synthesis and owns many vintage analogue synthesizers such as modular systems, Moogs, ARPs and Oberheims.